Digipak Fonts

I have collated a selection of sans serif fonts from the website DaFont which I could use on the digipak design for my album. I have chosen sans serif fonts so that they are bolder and appear more modern, appealing to the band's younger target audience. This is similar to the font choices on the album covers of 'After Laughter' (by Paramore) and 'Pale Honey' that I included in my digipak moodboard. A couple of the sans serif fonts which I have selected to consider are outlines, like the font on the album cover of 'Dua Lipa' (which is also on my moodboard). These maintain the striking shape of the sans serif style but are more stylistically interesting. However, a disadvantage of this style is that the lack of solid opacity may make the font appear less defined.

How do digipaks of two artists appeal to their target audiences?

Arcade Fire - Neon Bible (deluxe edition)

Paperboard clamshell box, booklet, two flip books and CD

Booklet page

   The deluxe edition of Arcade Fire's second album offers its audience several pleasures of the digipak experience provided by tangible media. The CD is packaged in a paperboard clamshell box, which presents the album as a collectable item which is worth protecting and preserving. As well as the CD, the box contains a booklet which lists the songs' lyrics. This engages with the band's audience who may be keen to look for deeper meaning within the songs' lyrics or want to learn them (potentially so that they can sing along and enjoy the pleasure of participation). The aesthetic of the lyric pages mimics the layout of Bible passages by including numbers as would indicate chapters and verses in the Bible; the band recorded the majority of the album in a converted church, played in several churches as part of their tour, and themes of religion and the questioning of faith run through the album's songs so this visual style reinforces the ideological appeal of the album as well as linking to its title. Further to designing the artwork of the album cover and booklet, Tracy Maurice designed two 32-page flip books which are included in the deluxe edition. This exclusive feature adds to the edition as a collectible whilst continuing its visual style. Tracy Maurice also designed the artwork for Arcade Fire's debut album ('Funeral'), so her work on the digipak for 'Neon Bible' could appeal to the band's audience by demonstrating a development of the band's aesthetic. In 2008, Maurice won the Juno award for 'CD/DVD Artwork Design of the Year' for Neon Bible, so the digipak could be additionally appealing due to its prestigious award-winning status.


Florence And The Machine - How Big, How Blue, How Beautiful (limited edition vinyl collector's box set)
This digipak is especially appealing to the audience of the band due to its exclusivity, presenting it as a special and desirable collection for fans to possess, especially as it included a bonus track ('As Far As I Could Get') which is not available on any other format of the album. The 6 vinyls are packaged in individual bags within a box, presenting them as valuable collectibles. The box also contains a large booklet in full colour on high-quality paper.

Digipak Moodboard

Music Video

How can we describe and analyse narrative in your music video?

   The music video that we are producing for 'He Never Shows' by Pom-Pom Squad is a closed text with a linear narrative structure. Our narrative follows Todorov's principle of the three act structure (consisting of equilibrium, disequilibrium and new equilibrium). For the first act, our music video begins in the protagonist's bedroom, until she receives a text message from her boyfriend - considering Barthes' theory of narrative codes, this could be considered a proairetic code which also functions as the inciting incident for disequilibrium. Our opening could also act as a framing device because we will use it to introduce the character, using props in her bedroom for character exposition. The second act (disequilibrium) involves our character hoping to achieve a resolution by going to reconcile with her boyfriend. However, he doesn't show up and the new equilibrium established involves her rejecting the unhealthy relationship; our protagonist will be shown throwing her mobile phone into the lake where they had planned to meet as a symbolic code to signify this.